Friday, 30 January 2015

My top three surreal editorial comments by Jane Clarke

One of the things I love about writing picture books is the surreal conversations I have with editors. Here are three of my favourites. 

'Charlie's elephants don’t bake cakes!'

Fair enough. When I wrote the text I didn't realise I'd be lucky enough to have Charlie Fuge illustrate it, and Charlie does amazingly naturalistic animals. There's a fine line in the world of talking animals, and it has a lot to do with whether the illustrator is drawing the animal clothed or unclothed, in a natural or unnatural surrounding.  Unclothed animals in a natural setting don't bake cakes. The only trouble was, the pivotal point of the story involves a birthday cake.  We settled on a raw concoction of bananas and peanuts. 

From Trumpet, the Little Elephant with the Big Temper, illustrated by Charles Fuge.
I'm delighted to say that Charles Fuge is the illustrator of my upcoming picture book 'Who Woke the Baby', to be published later this year. No cakes are involved.

'Would a little dragon really say the same thing as a little knight?'

Once you give a talking animal (and an imaginary one at that)  a voice it has to sound authentic, so the question is a valid one. Saying the same thing was a useful device to emphasise their parallel thoughts and feelings.

From Knight School, 
illustrated by Jane Massey

'Should the cow have udders?'

Essential in real life, but not in picture books. No problem if the cow is in the field, but udders are somewhat disturbing when a cow is standing on its hind legs.  In picture books, dangly bits of any kind, belonging to any sort of clothed/unclothed/partially clothed creature, are most notable by their absence.

Some of the cast of  Old Macdonald's Things That Go, in the process of being illustrated by Migy Blanco.

 Picture book editors, writers. illustrators and readers, I'd love to hear your surreal quotes! 

Jane's currently doing lots of school visits in the run up to World Book Day and launching the first two books of a new series published by Oxford University Press on 5 February 2015.

Sunday, 25 January 2015

How childhood books influenced new stories and illustrations - by Mandy Stanley (Guest Blog)

Many thanks to this month's guest blogger, Mandy Stanley, a British children's author and/or illustrator of over 200 publications. Here, Mandy looks at how the books of her childhood have impacted on her ideas, illustrations and colour schemes.

Being a children’s author and illustrator for the past twenty-five years, there are many subjects I could write about but what really interests me at the moment is the relationship I had with books as a child. I’m keen to discover if there are any links between those books I read and listened to and loved so much as a child, and those I write and illustrate for today’s children.
Looking back, Middleton Primary School near King’s Lynn is one of the first places that come to mind when I reminisce about my childhood books. I was often the ‘new girl’ at school as my father moved around a lot with his work. Every school presented certain challenges to me as I was afflicted with being shy. But… the one single thing that helped me to cope in the early years was the story mat – thankfully, every junior school classroom had one. Here was a place to feel safe, surrounded by other children sitting quietly on our rectangular island, listening to stories and being shown wonderful pictures. As a six year old at school, books came to represent so much more than just a story and pictures.

Illustration by Mandy Stanley from Tom’s Sunflower– Strauss House 2015 written by Hilary Robinson

It occurred to me that having completed an illustration for Tom’s Sunflower by Strauss House Publications, written by Hilary Robinson, that I had been drawing on my own experience of feeling safe on the story mat. The Copper Tree Class children learn about all sorts of difficult subjects, and subliminally, throughout the series of four books, I’ve placed them on their mat as a device to show they are all connected and will learn from each other’s experiences.

My grandparents and parents were instrumental in giving me a love for stories told and those written in books. At the table, my grandfather told stories of his adventures on the high seas as a Lowestoft trawlerman, and of being a soldier and railway man. He brought his stories alive by referring to things as being the size of his plate or the salt pot.

My grandparents gave me the first book I remember as a Christmas gift when I was very little. The illustrations in Storyland intrigued, delighted and transported me to a wonderful place. Years later, I discovered that Mary Blair, famous for her work with Walt Disney, illustrated many of the stories.

Storyland – Paul Hamlyn 1960
Illustration from I Can Fly by Mary Blair

On Saturdays, my dad took me to the library. He enthusiastically went off to choose his books and left me in the children’s section to discover the books I wanted to borrow. At the checking out desk, I’d meet my father. We both had a stack of books that we wanted to investigate further, at home. The book Folk Tales was one of my favourites as it contained beautiful illustrations and the story The Billy Goats Gruff. The troll, I’m convinced, still lives under the little bridge in the Nicholas Everitt Park, Oulton Broad, Suffolk!

Folk Tales – Leila Berg. Brockhampton Press
The Little Blue Caps – illustration by George Him
Troll illustration by George Him - Folk Tales  Brockhampton Press

Along with borrowing books, I have been given books, I’ve swapped books, found books, received handed down books and I have stolen books (mainly from my sister!).

Amongst my collection, I can’t imagine not including two of my best-loved traditional fairy tales: Rumplestiltskin and The Elves and the Shoemaker. These stories inspired, scared and delighted me in equal proportion. Occasionally, even now, I sometimes wish that a couple of elves would come along in the night, while I sleep and finish off my work for me. I know that I would be more than happy to reward them with a new set of miniature clothes.

The Elves and the Shoemaker and
Rumpelstiltskin – Ladybird Books Ltd. 1968

This reminds me… Lettice Rabbit requires a set of ballet clothes in Lettice The Dancing Rabbit – Harper Collins. Although children offer her their clothes to borrow, they are all too big. Luckily she is able to borrow a set of clothes from a ballerina doll. I’m sure the memory of the little elves must have been to the forefront of my mind at this point in my Lettice Rabbit story.

Lettice, The Dancing Rabbit by Mandy Stanley.
Published by Harper Collins

I’m not sure I really know why, but the idea of a small character existing in our world is always appealing to me. Mrs Pepperpot stories by Alf Proysen were always a source of entertainment. The very idea that a human could shrink to be very small…without warning, fires up my imagination.

Little Old Mrs Pepperpot
by Alf Proysen – Puffin Books

Lettice, The Fairy Ball  – Harper Collins

So, my Lettice Rabbit series must have been influenced by Mrs Pepperpot stories – Lettice shrinks! She becomes the same size as a fairy. Throughout the series, my interest and inspiration comes from the idea that Lettice is a small character that hops into our big, human world.

Brer Rabbit’s A Rascal by Enid Blyton.
Dean, an imprint of 
The Hamlyn Publishing Group Ltd

Another character that fascinated me was Brer Rabbit. My grandmother read this book to me. She had a big feather bed and when I stayed overnight with her, I would take my book and slip into her bed in the morning, once my grandfather had got up to make breakfast, and ask her to read to me. I discovered that Brer Rabbit was indeed a rascal… and very clever… and I loved him for it. Any links with Brer Rabbit and my own work are not apparent at the moment, although I do have an ambition to create a character that manages to escape all sorts of troublesome situations using wit and a daring attitude !

It wasn’t all fairy stories and fluffy rabbits in my eclectic hoard. My father bought and read to me Treasure Island by Robert Louis Stevenson and Captain Pugwash by John Ryan. Billy Bones, Long John Silver and Cut Throat Jake – all fabulously intriguing sounding names. Working out new character names in my books is certainly one of the most enjoyable aspects.

Illustration of Cut Throat Jake by John Ryan – Puffin Books

Along with remembering stories and images, what does intrigue me is that I also vividly remember the feel and aesthetic of every book. One Christmas morning I unwrapped a colouring book. On the cover, it had red flocking on Santa’s coat, hat and trousers… wonderful!

I also noticed that books’ pages varied in their paper quality – ranging from thick, dry and sturdy, or wafer thin and slippery, delicate and almost transparent. There were paper engineered sections, high gloss effects, metallic foiling… even glitter! All these things added up to make a full sensory experience. Interestingly, I’m often heard to be requesting textural features on my own books today. One of my wishes was granted when Harper Collins added a set of battery operated, twinkling fairy lights on the cover of Lettice, The Fairy Ball.

As an illustrator, I spend much of my time working out colour arrangements and palettes for each project. Recently, while working on a collaborative project with author David Bedford, Roo the Roaring Dinosaur, I realized that, subliminally I was referring to a set of colours for a lagoon scene as Alice in Wonderland blues. The image of Alice swimming in a pool of tears came to mind as a treatment for my illustration featuring Wooly, the mammoth and Roo the dinosaur splashing around in the blue lagoon in dinosaur land. 

Illustration by Mandy Stanley from Roo The Roaring Dinosaur
by David Bedford. Published by Simon and Schuster
Alice in a pool of tears – illustrated by Willy Schermele
Alice in Wonderland
by Juvenile Productions Ltd

Other colour references I use regularly include Peter Rabbit blue – (referring to his jacket). Babar green (his suit), and Rupert Bear yellow (his scarf and trousers). 

Beatrix Potter’s Peter Rabbit,
Laurent de Brunhoff’s Babar, and
Rupert Bear
created by Mary Tourtel

Spending time, thinking about my childhood, has reinforced my belief that books keep on giving. They stimulate memory and of course, provide comfort and entertainment. As an illustrator, they also provide me with valuable references. I continue to still be inspired by picture books I listened to or read for myself all those years ago.

So the connections are there to be found… it’s fun and satisfying to recognize them. Creating books for children, hoping that some of them may provide a similar level of entertainment and trigger good memories for many years to come is, I think, a significant driving force behind my work. 

Mandy Stanley – Children’s author and illustrator.

January 29th is the publication date for Mandy Stanley's latest picture book: Roo the Roaring Dinosaur, a collaborative work with David Bedford – Published by Simon and Schuster.

Thursday, 15 January 2015

Going back to the source by Abie Longstaff

When my children were little they were an endless source of ideas for picture books.

They had great words for things - we still say 'starvint' instead of 'starving' to this day after my daughter used to cry out "I'm starvint!" My son made up fantastic names for his soldiers like 'Massimao' (who was one of his top colonels).

They loved being read to

even at a very young age:

They also wrote their own stories like this fantastic one by my son aged 3: 

My Tigers

When my dog dies I will not be sad.

This is because that's when I will be getting my baby tigers.

I will get 100 baby tigers. I will get them from a tiger den.

The mummy tiger will say: "Go with that nice family!" or maybe the daddy tiger will say it. I don't know yet.

When they are first born the tigers will sleep in my sister's bed. Then when they are older they will sleep in my bed.

When they are big they will have to be good and not growl or bite people.

If they bite someone I will give them one warning and if they do it again…

…I will hoover them up.

They were very useful and many of my picture books came out of games we used to play together, like


But now my two are in secondary school. They still love picture books (especially the longer ones, like Ardizzone's wonderful 'Tim all Alone') but they are a little too old to be of useful inspiration.

Luckily, this Christmas I spent a week with my sister's three children, who are both incredibly cute and incredibly pesky; a perfect source of inspiration.

We read books (sometimes over and over. The little niece had a particular obsession with the Ahlbergs' Bye Bye Baby).

We made up a crazy story about a butterfly who hated the rain and needed an umbrella.

And a crocodile who snapped at Father Christmas while he was delivering presents.

And a playdough baby whose arm kept falling off.

There were rows about naptime, dummies, food, using the potty, whose toy belonged to whom.

Life with small children all came flooding back to me (particularly how bleeding hard it is - my sister does well to keep even halfway sane with those three around!)

There were plenty of cuddles during the day. And alcohol once they had gone to bed.

It was wonderful - and very inspiring!

Then my parents told me a fantastic story about their friends, who took out an old chimney breast and discovered behind it a small cloth bag full of ancient Spanish doubloons. Now that's a good plot :) 

Abie x

Look out for my new series, The Magic Potions Shop, coming this July for 5-7 year olds :)

Saturday, 10 January 2015

In Memory of Vanessa Cabban • Jonathan Emmett

I have a new picture book, A Spot of Bother, coming out next month. Having a book published is usually a cause for celebration, but the publication of this particular book is tinged with sadness as it will be my last with illustrator Vanessa Cabban, who passed away shortly before Christmas.

People often assume that picture book authors and illustrators work closely together, but it’s not unusual for the author and illustrator to have no direct contact, with the book’s creation being co-ordinated by the publisher. This was the case with Bringing Down the Moon, which was the first book that Vanessa and I created together.

One of Vanessa's beautiful illustrations for Bringing Down the Moon

Vanessa and I in Amsterdam
A couple of years after Bringing Down the Moon was published, the book won the Kiekeboekprijs, a Dutch book award, and Vanessa and I went to Amsterdam to accept it. Although we’d now done a second picture book together and Vanessa was about to start illustrating a third, it was the first time we’d met or even spoken to each other. Vanessa turned out to be stylish, funny and refreshingly frank and forthright in her opinions – we spent a lot of our visit in good-natured argument! By the end of our short stay we were firm friends. We resolved to keep in touch and did so regularly through many emails and lengthy phone calls over the following years. We both shared a mischievous sense of humour and our conversations were nearly always punctuated by laughter. 

In addition to the seven books we did together, Vanessa illustrated many other picture books, written by Alan Durrant, Giles Andreae and several other authors. And she both wrote and illustrated two Bertie and Small picture books about an adventurous toddler and his toy rabbit. Vanessa had no children of her own, but was very fond of her niece and nephew and was a much-loved aunt, sister and daughter.

Vanessa artistic talents extended beyond illustration into fine art and her paintings, prints and sculptures were exhibited and sold in various galleries around the UK. She was also an accomplished knitter, posting photos of her handiwork on her "Do you mind if I knit" blog.

Two of Vanessa's sculptures.

One of the pleasures of creating a picture book with another person is that one can draw on their strengths as well as one's own. Vanessa brought her own distinctive charm, warmth and humour to all the books that we created together.

She was a good friend and a wonderful, inspiring person to work with. I will miss her dearly.

In memory of Vanessa, her family have set up a Just Giving page where you can make a donation to the Mental Health Foundation.

A Spot of Bother, illustrated by Vanessa Cabban, is published by Walker Books on 5th February 2015.

Find out more about Jonathan Emmett and his books at his Scribble Street web site or his blogYou can also follow Jonathan on twitter @scribblestreet.

Monday, 5 January 2015

When a story makes demands of you – Lynne Garner

A few years ago I ventured into writing stories for older children based on traditional trickster characters, these being Anansi the Trickster Spider and Brer Rabbit. This move away from picture books meant a great deal of reading and research, which I’ve thoroughly enjoyed. As part of my research I downloaded a huge library of books that contain the first written form of many of these traditional tales. Reading some of these books was a challenge because of the language used. As I read these traditional stories I always had at the back of my mind the age range I was writing for. So I put aside the idea of using the devices I often use in my picture book writing such as rhyme, rhythm and repetition and others such as alliteration. I also had to remember I wouldn't have images to help me tell the story.     

However this recently changed whilst I was researching a new trickster character, this being Coyote. As I ploughed through yet another book I came across a story which for some reason demanded “turn me into picture book.’ As I read it I could see where I could use repetition, feel the rhythm I would create with the words, how I could leave sentences 'hanging' so the reading would want to turn the page, where a little alliteration would work well and I could 'see' the supporting images which would help me tell the story. I found myself grabbing a piece of paper, folding it into twelve equal sections and I was soon plotting a new picture book story.

I now find myself with the first draft of a picture book story based on a traditional Native American Indian story. I also find myself wanting to revisit the books I read whilst researching Anansi and Brer Rabbit to discover if another story makes the same demand. So over the next few months I plan to continue to work on the stories for older readers. However I’m also going to read with the view that if one of these traditional tales makes the same demand I’ll fold a piece of paper and get out my little bag of picture book writing tricks and try to make it’s wish a reality. You never know one of these may just become my next picture book.

Lynne Garner

My writing eCourses which start this month:

Wednesday, 31 December 2014

Goodbye 2014, Hello 2015 - Group Post

Can you believe it, The Picture Book Den is now three years old?

In order to celebrate our birthday and to usher in the New Year the team decided it would be fitting to share what we've achieved during 2014, what we hope to achieve and have planned for 2015. So here it is. We hope you enjoy.


Lynne Garner

Although 2014 was not my most constructive year for landing contracts I'm pleased with the fact they I had two books reach the shelves. The first was in February. It was the second picture book to feature Boris and Dog with their new friend Benji (Bad Manner Benjie!). My second book was completely different and was released in November. It is aimed at those who work with children in the early years sector and is called 'The Little Book of Print Making.' It was great fun to write, as I had to get my hands dirty to ensure the instructions were correct. So lots of messy 'play.' Sometimes this writing lark is a hard job.

Unfortunately I don't have any books due for release, however I intend to change that. I have a small library of manuscripts completed, which over the coming months I'll send out to publishers. I also have a few ideas for new stories and plan to start the process of plotting, writing, proofreading and editing in January. Once they've seen the red pen of the Picture Book Den critique team I'll send them on their way.

Jonathan Emmett

It’s slightly ironic that I joined Picture Book Den in 2014 as I’ve had no new picture books published this year, just new editions of previously published titles. However I have three (or possibly two and two-thirds) brand new picture books coming out in 2015.

The first of these is A Spot of Bother illustrated by my longtime collaborator Vanessa Cabban and published by Walker Books. This is a follow-up to The Pig’s Knickers and features the same cast of characters including the rather self-centred Pig. In this story Pig is horrified to discover that his spotless appearance has been spoiled by a cherry stain. His friends try to help, but the more they try to clean the spot, the bigger it gets.

This is the seventh book that Vanessa and I did together and I'm extremely sad to say that it will be our last as Vanessa passed away shortly before Christmas. She was a wonderful person, funny, mischievous and forthright, and a terrific illustrator to work with and I will miss her greatly.

Next up is The Clockwork Dragon. This book might only be described as two-thirds new because it’s a reworking of Tom’s Clockwork Dragon which was published in 2008. Unfortunately that book went out of print quite quickly but Oxford University Press decided that the story deserved a second chance and asked me to write a new draft which has been illustrated by Weasels and Nuts in Space creator Elys Dolan. Elys has a great flair for whimsical detail and, as well as completely reinventing the dragon, has populated the book’s illustrations with a supporting cast of wonderfully wacky characters. I've already written a second story featuring the book's young heroes Max and Lizzie so, if this book proves popular, they could be back with more clever clockwork contraptions.

And lastly, there’s Fast and Furry Racers: The Silver Serpent Cup, also published by Oxford University Press. This book is illustrated by Ed Eaves and the story was inspired by a set of souped-up vehicle models that Ed made several years ago for his college degree show. Ed sent me some photos of the models and suggested that they might plant the seed for a story – which they did. The Silver Serpent Cup is a rhyming story about a no-holds-barred race between a motley assortment of animals in an equally motley assortment of vehicles; cars, planes, boats, submarines – there’s even a tiger racing in a train. We’re hoping it will be the first of a series of Fast and Furry Racers books.

Abie Longstaff

2014 was really exciting for me. Two new Fairytale Hairdresser books came out:

The Fairytale Hairdresser and Snow White


The Fairytale Hairdresser and Father Christmas

as well as Just the Job for Dad.

 I did a loads of events, which was fun but exhausting!

and Lauren Beard and I won an award for The Mummy Shop :)

Here we are with the other winners

Next year there will be two more Fairytale Hairdresser books (The Little Mermaid, and The Sugar Plum Fairy) and a new picture book with Scholastic.

There will also be a brand new series, which I am really excited about. It's called The Magic Potions Shop and it's a chapter book about an apprentice who gets himself in all kinds of trouble learning to make potions (it was really fun to write!) There are 6 books in the series, so bring on 2015!

Jonathan Allen

Though not the most exciting year for me work wise, to say the least, my picture book 'Is That My Cat?' came out in Spring both here and in the US. My work seems to get simpler and bolder as I get older. Maybe I need better glasses ;-)

Next year sees the ten year birthday of Baby Owl! It was ten years ago that I took my idea (I'm Not Cute!) to see David Bennett at Boxer Books, (which also has its ten year birthday next year) and was told that he liked it, but I needed to make the drawings younger and softer. It was the start of a fruitful partnership, and a series of six "I'm Not" books over the years, (Cute, Scared, Sleepy, Santa, Ready and Reading) and several other titles. I now know what 'I'm Not Cute!' is in at least eight languages ;-) Well, I would if I could read Japanese or Chinese. .

Also, Boxer are publishing 'The Little Rabbit Who Liked to Say 'Moo!'' as a board book at some point in 2015, which is nice because it's a book that works very well with the very young.

So, I am looking forward positively to next year and whatever it brings. We are pretty certain to be moving house at some point, to get further out into the countryside. A big scary thing to do, but you have to keep having adventures in life otherwise a dull complacency can set in and before you know it you're old ;-)

Of course in 2015 I will no doubt think up a major best seller, become a millionaire and live happily ever after. . . Oh yes. . . Have a great new year won't you?

Pippa Goodhart

For me, 2014 saw new books in which text and pictures danced together, but which weren't strictly 'picture books'.  There were two new Winnie the Witch storybooks (published under the fake name of Laura Owen), illustrated in wonderfully wild fashion by Korky Paul ...

... and a Green Banana early reader book beautifully illustrated with clarity and humour by Amber Cassidy.

But there ARE new picture books by me on their way to publication, as well as more Winnie the Witch stories and early reader books.  I can tell you that there's one that is being illustrated at the moment by brilliant Sam Usher, and there are others that the publishers don't want talked about yet...  Watch and see.  
 Happy new year!

Jane Clarke

In 2014, I got lots of rejections as I do every year.  But I signed contracts for four new books, had fun doing author visits to lots of schools, became a grandma - yaaaay!  and turned 60 (not so yay!)

2015 looks very exciting - 10 books are due to be published, including two picture books and four toddler board books .  I'm hoping a new picture book series will get past the gatekeepers, and I've been invited on a school visit of a lifetime to China, and have another grandchild due in March. Life's not always a bed of roses, and I don't take any of this for granted.  I feel very privileged that I continue to earn a living from writing.  

Warmest Winter wishes and Happy New Year, Picturebookdenners!
May your year be full of good things (in between the rejections), too. 

Jane x

Malachy Doyle

2014 brought my first from Parragon Books (Peek-a -Book, with Rowan Martin); my first with my daughter Hannah and with Firefly Press (Pete and the Five-a-Side Vampires); and my 100th book (and first about death, sort of) Tad-cu's Bobble Hat, with Dorry Spikes.


2015 brings my second, third and possibly fourth from Parragon: The Nose that Knows, with Barroux; Sleepysaurus, with Hannah George; and Hide and Peek, with Rowan Martin again.
It also brings The Beast of Belfast, an illustrated storybook from Poolbeg Press, with Derry Dillon.
There are other pans in the fire, but we shall see.

2015 also promises my second grandchild, the wedding of my one-and-only son, and my very first venture east of Europe - a trek in the Himalayas.  Quite enough excitement for one year - and may you have an exciting one too!

Moira Butterfield

2014 - Where did it go? Was I in a timewarp, one of those films where someone returns home at the end, to find that only a minute has passed? I wrote what seemed like an unending line of books - about Anglo-Saxons and the Stone Age, about feelings, about the human body, about Halloween, about the weather....My first poetry for children will be published by Harper Collins in 2015, and hopefully my first picture book in a while - currently with the title 'I Saw A Shark'.  I've got board books coming out, too, with UK supermarket M & S.  It's all a bit of a mix and it's all very unpredictable. That's what it's like being a professional author for children.

Being a freelancer: I complain a lot when it's all a flurry, but when it's not, I start to worry.

Sorry I can't show you covers. I've left it too late to ask permission and the publishers have all gone away to their Christmas castles, where their butlers are now serving them their Xmas cocktails and lobster bites on golden sticks.

But I think it's OK to share one of the Harper Collins poems, which were written about weather.

Frost sneaks silently.
It weaves its white carpet
without even a whisper.

But if you touch it,
you can unlock its secret